“Towards Britain’s Year Zero”

“When a mob toppled a statue of merchant and slave trader Edward Colston in central Bristol on Sunday, the scenes were reminiscent of the collapse of a tyrannical regime. The mob stamped the fallen statue with rage and delight. Yet the mob was composed of individuals who had experienced no struggle or strife, and live in one of the safest, most prosperous nations in history.

“Most of the crowd were white, middle-class university students who have never done anything to oppose actual slavery. Not one of those warriors against slavery will offer a word of criticism regarding the (internally disputed) Islamic practice of slavery, which persists in some parts of Africa to this day. Toppling a statue is a summer carnival; researching and criticising a world religion is a little less of a rush. For most people today, virtue is not embodied through persistent and difficult private acts. Rather, it is demonstrated through momentary public performance and posted on Instagram.

“Far from fighting the power, the mob was acting in accordance with guidance it has received from schools, universities and mainstream media. Bristol council and the mayor did not decry destruction of public property, but applauded it….“

 

To read the full article visit Spiked: https://www.spiked-online.com/2020/06/11/towards-britains-year-zero/

The war on America’s past continues

“In the wake of recent attempts – some successful – to have Confederate statues removed from the US south, what is the future of colonialist statues in the US west? In Pioneer Mother Monuments: Constructing Cultural Memory, Cynthia Culver Prescott, a professor of history at the University of North Dakota, senses a reluctance to apply to pioneer monuments the ideological zeal that was turned on Confederate memorials. ‘We resist applying the insights of settler colonial studies to American pioneer narratives because to do so would call into question foundational myths of Jeffersonian agrarianism and American exceptionalism, and lay bare white conquest of native lands and peoples.’ She outlines the cases against statues of colonialists, and particularly against female settlers, who took part in the drive to colonise the American west in the 19th century.

“Statues depicting women have been criticised by academics and campaigners for being idealising, inaccurate, generalising and stereotypical. There is a sense that campaigners direct such ire at statues of women settlers not just because they embody sexism and colonialism but because they show women as complicit in the act of dispossessing native peoples. There is a residual resentment that – in intersectional terms – a political minority took part in a project to oppress another minority….”

Read my article on Spiked here: https://www.spiked-online.com/2019/07/29/the-war-on-americas-past-continues/

Iconoclasm & the Erasing of History

“At 1:32am on the morning of 8 March 1966, a loud explosion was heard in the center of Dublin. When dawn came, visitors to O’Connell Street were greeted by the sight of a pile of rubble and the sheered column base of Nelson’s Pillar. Completed in 1809 in British-administered Ireland, the monument had honored the late Vice Admiral Horatio Nelson, who had defeated Napoleon’s navy at the Battle of Trafalgar. The statue, on its Doric column, reached 134ft (40m) into the sky—almost the same height as Nelson’s Column in Trafalgar Square. Although Irish sailors and soldiers had died in the Napoleonic wars in the British armed forces, the statue of a British military hero in the Independent Republic of Ireland still grated with Irish Nationalists, even 150 years after the erection of the monument….”

My first article for Areo Magazine is on iconoclasm. Read the article here: https://areomagazine.com/2019/04/11/iconoclasm-and-the-erasing-of-history/

The Liquidation of History

“One day after a bloody clash between white supremacists and a mixture of non-violent, anti-fascist marchers and violent Antifa activists in Charlottesville, Virginia, a mob of activists destroyed a Confederate war statue in Durham, North Carolina. Fearing more violent action, authorities are concealing or removing potentially controversial public monuments nationwide. Far from easing tensions, this is likely to worsen the situation.

“From South Africa to Ukraine, statues have become proxy targets for political violence. Statues are soft targets. Often unprotected, easy to deface or destroy and unable to retaliate, they make ideal symbolic targets for those unwilling to endanger themselves. In an age when groups can be quickly mobilised via social-media postings and attacks can be livestreamed around the world, such assaults on cultural property are liable to become more common. Police rarely intervene, prosecutions for these attacks are uncommon and punishment light.

“Now the Culture Wars in the US are being fought on the streets between left-wing and right-wing activists. Civil War statues and memorials are flashpoints for this conflict…”

Read the full article online on Spiked 21 August 2017 here: http://www.spiked-online.com/newsite/article/the-liquidation-of-history/20226#.WZrPc1V97IU