How to Support my Work

For those of you who appreciate my writing, please consider four ways of indirectly assisting me.

  1. Consider subscribing to the journals I most regularly write for. Two outlets have recently requested renewed support to continue their work. They are The Jackdaw (“independent views on the visual arts”, featuring journalism, news, artist profiles, exhibition and book reviews and contributor letters, six issues per year) and The Salisbury Review (“the quarterly magazine of conservative thought”, featuring discursive articles on politics, culture, history and biography, with art, book and media reviews, four issues per year). The websites are here The Jackdaw and The Salisbury Review. The pieces that I publish in these outlets appear nowhere else, so you will be receiving unique content. You will also be supporting independent journalism.
  2. Consider purchasing my books. Culture War: Art, Identity Politics and Cultural Entryism (Societas/Imprint Academic) is available through bookstores in the UK and USA, Amazon, other online stores and the website of the publisher. Other books by me include fiction, verse and art published by Aloes Books, Golconda, Bottle of Smoke Press and Pig Ear Press. These books can be found on Amazon and other online websites.
  3. Sharing my online articles. I write regularly for the websites Spiked Online and Standpoint. I also publish articles on this site. Please consider liking and sharing these articles. Even small efforts like this raise my profile and make websites and publishers more likely to commission future articles and books.
  4. Rating my books on Amazon, Goodreads and other websites.

Thank you again for your support.

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Culture War: Art, Identity Politics and Cultural Entryism

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PUBLICATION DAY

Publisher’s notice:

“Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is post-modernism dominant in the art world? Why are consumers of comic books so bitterly divided?

“In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today’s culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.”

This book is available from bookstores, all online book retailers and the site of the publisher, Imprint Academic: http://books.imprint.co.uk/book/?gcoi=71157100083870

 

Publication: “Culture War: Art, Identity Politics & Cultural Entryism”

I am pleased to announce the publication of my book “Culture War: Art, Identity Politics and Cultural Entryism” (Societas/Imprint Academic).

“Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is post-modernism dominant in the art world? Why are consumers of comic books so bitterly divided?

“In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today’s culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.”

180pp, 3 b&w illus., Societas/Imprint Academic, March 2019, ISBN 978-1845409982

Although the book will be published on 1 March, and I never normally mention such things this far ahead, there are two reasons for announcing now: 1) Amazon is offering a 35% discount (for UK sales at least) so you could save money by pre-ordering, and 2) indications are that the first edition will sell out, so if you want to read the book as soon as it comes out you would do well to order now.

Link to publisher’s selling page: http://books.imprint.co.uk/book/?gcoi=71157100083870

Link to Amazon book description:

https://www.amazon.co.uk/Culture-War-Identity-Politics-Cultural/dp/1845409981/ref=sr_1_1?ie=UTF8&qid=1536611127&sr=8-1&keywords=culture+war+alexander+adams

“London, Winter”

Pleased to announce the publication (24 April) of LONDON, WINTER, an extract of a novel. The story follows A. through one day as a student, studying art at college in London in the winter of 1994-5. It is in the same format as the previous books. Published as a collaboration between the author and Aloes Books, London.

Technical data: The book is 26pp, 165 x 105mm, french fold pages, printed on pale grey paper, 60gsm, with pale pink title and end papers, stapled and glued binding, 3 covers: handmade Spicers off-white paper with deckle edges, blue marbled card and heavy Ingres off-white paper. Edition: 75 copies, all signed and numbered. No ISBN.

Purchasing: Cost is £10 + £2.50 p&p. Contact me to purchase. There are some copies of “Berlin, October” available. I am willing to sell copies for £10 and free p&p to anyone purchasing copies of “London, Winter”.