“Ayn Rand (1905-82) is now more famous as a philosopher and ardent proponent of laissez-faire capitalism than as a writer of fiction. As such she is known for advocating rationalism and pure self-interest as bases for ethical and political action and as a bulwark against collectivist ideologies and government influence. According to this approach, which she called objectivism, the most virtuous man is one who makes money; the most depraved is one without purpose. Wealth, therefore, is a sign of success and a motivator for ambitious capable men. (Rand’s attitude to feminism was ambivalent – personally ambitious, she was opposed to the intrusion of feminine virtues into traditional masculine public spaces of politics, commerce and science.) Although objectivism has furnished American libertarianism with (disputed) intellectual seriousness, a worldview that considers all taxation as theft has had little appeal in Europe. Objectivism has largely been seen by philosophers as a political position rather than a coherent system of ethics and logic.
“Rand’s belief in the great-man theory of history (positing that social and technological progress is made through the achievements of exceptional individuals) translated in artistic terms into a strand of heroic individualism. That is nowhere better exemplified than in her giant novel, Atlas Shrugged, published in 1957. An elegant new edition, published by the Folio Society, captures the grand scale and epic themes in its illustrations and pictorial hardcover designs….”
Read the full review online here:
“When we first encounter Sylvia Plath (1932-63) in The Letters of Sylvia Plath Vol 2: 1956-1963, she and Ted Hughes are in Cambridge, living as newlywed young poets. She has set aside youthful pursuits and is determined to make a good wife and mother, while seeking recognition as a writer of stories and poems.
“In the summer of 1957, after graduating from Cambridge University, Plath and Hughes had moved to Massachusetts where Plath was appointed as an English teacher. Hughes had his first book accepted for publication by Faber & Faber, and Plath was publishing stories and poems regularly. There is business correspondence in this volume, which shows Plath navigating her many literary markets: women’s magazines, poetry quarterlies and American glossies, with occasional recording sessions at the BBC studios.
The starry-eyed Plath described her husband as ‘the most wonderful man who ever lived’ – a veritable hunting-fishing, tarot-reading, verse-writing, Chaucer-declaiming six-foot-two superman. Their relationship was always volatile; passionate outbursts, resentment and bitterness on both sides tempered the love, attraction and admiration they felt for one another. Although Plath’s esteem for Hughes as a man and husband changed, her admiration for him as a writer was never less than adulatory. Her labours typing and retyping his manuscripts in a pre-photocopier era must have reduced her own personal output. In 1957, Plath began working at Smith College…”
Read the full review online on Spiked here:
Read my review of volume 1 here: https://alexanderadamsart.wordpress.com/2018/08/26/sylvia-plath-alive-in-letters/
“On 24 August this year, the Socialist government of Spain legislated to exhume General Franco from his tomb at Valle de los Caídos, near Madrid. The Valle de los Caídos basilica was built by Franco as a symbol of both reconciliation and conquest and it became his tomb in 1975. His remains are now being exhumed and relocated, ostensibly to prevent Franco supporters gathering, as they have done over the years, to pay respects to Spain’s former dictator. In truth, the move to relocate Franco’s remains is not about paramilitary displays causing disorder or resurgent militaristic Catholicism, neither of which have been a threat since the failed coup of 1981; it is a chance for the Socialists to posture against the hated fascist dictator, albeit posthumously enacted. This move is part of the recent trend to erase symbolic history in the US, Austria and Ukraine and South Africa.
“Publication of a new translation of Carlos Rojas’s seminal 1978 novel El Valle de los Caídos – The Valley of the Fallen – could not be timelier. Written in the aftermath of Franco’s death, the novel blends the turbulent and sometimes barbarous history of Spain in a meditation on parallels between two eras: the last years of the Bourbon monarchy, and the twilight of the Francoist era. We encounter Goya, court painter, talking to the king, Fernando VII. Rojas recounts stories from the Napoleonic wars of Iberia and the thoughts of the elderly Goya. The other thread of the novel is the domestic life of Sandro, a biographer of Goya living through the final days of Franco. Struggling with his literary task and coping with a troubled romantic relationship, Sandro considers the legacy of Franco and the civil war that brought him to power…”
Read the full review online on Spiked here: http://www.spiked-online.com/newsite/article/into-the-valley-of-the-fallen/21791#.W5t7E85KjIV
View my art and books at www.alexanderadams.art
“A couple of years ago, it looked as though David Lynch’s active career as a director was over. After all, his then most recent movie Inland Empire had been released in 2006. This rambling, disconnected 180-minute film was by far the most obscure work he had produced. It received mixed reviews, alienated casual audiences and was disliked by even some diehard Lynch fans. He had not directed anything substantial since then. He was mainly occupied with making art (he had several high-profile and well-reviewed exhibitions in the US and Europe) and speaking about transcendental meditation. It seemed that Lynch the film director had retired for good.
Then a new, third series of Twin Peaks (featuring many of the old cast members and directed entirely by Lynch) premiered in 2017 and met a very favourable response from fans and critics alike. Lynch proved he was still able to satisfy and perplex audiences by taking genuine risks and following his personal vision.
Room to Dream is a biography formatted in an unusual way. Biographical chapters – each focusing on a particular project of Lynch’s – are written by Kristine McKenna, using interviews with friends, family and colleagues, in addition to documentary sources; these are followed by commentaries from Lynch himself, telling stories and sharing personal details relating to these projects in a conversational manner. Thus we get both a factual account that is largely neutral and Lynch’s own perspective on matters, complete with photographs showing Lynch on set and with friends….”
Read the full review online here: http://www.spiked-online.com/newsite/article/the-compelling-mystery-of-david-lynch/21707#.W35Q1M5KjIU
“n the early hours of 2 August, Jeremy Hambly, a popular YouTuber who covers gaming, pop culture and media news, was assaulted outside a bar in Indianapolis. He was caught off-guard and suckerpunched, and was left with bruises, a slight cut and a torn shirt. Shaken, he recorded his injuries on his phone. But this was more than a bar fight – this attack was political, and arose out of a simmering feud within gaming culture.
“Magic: the Gathering (MTG) is a game produced by Wizards of the Coast (WOTC), encompassing trading cards, merchandise, online gaming and organised tournaments. A number of vlogging channels have sprung up to discuss MTG products and culture.
“Jeremy Hambly’s UnsleevedMedia channel has become prominent in part due to his criticism of WOTC’s incorporation of identity and sexual politics: WOTC has reduced the attractiveness of female character designs, uses ‘they’ as the second-person singular pronoun in official texts, and uses explicitly ‘inclusive’ language and tone-policing at MTG events. After Hambly made negative comments about a female cosplayer (someone who dresses up as a fictional character at public events), he was accused of ‘harassment’ and banned for life from participating in WOTC-sanctioned tournaments and online play. He became the first MTG player to be banned for life without the possibility of appeal without having cheated or committed a crime. It seems that Hambly’s severe punishment was due not to a violation of MTG guidelines, but to his unpopularity among some fans and his criticism of WOTC policies…”
Read the full article online on Spiked here:
“Frida Kahlo: Making Her Self Up, the new exhibition at the V&A London, examines Kahlo’s private world, displaying paintings, drawings, photographs and private possessions to form a powerful presentation of Kahlo the artist and the woman.
“Such an approach might seem intrusive. Yet Kahlo (1907-1954), one of the most famous painters of the 20th century, was an artist uniquely concerned with her self, displaying it in its various guises. Her symbolic portraits and self-portraits – combining Surrealism, Mexican painting and naive amateur art – and her personal life – her precarious health, commitment to Communism and tempestuous marriage to famed muralist Diego Rivera – all flowed into what is a strikingly autobiographical artistic enterprise, rich in allusion and metaphor. Indeed, fascination with her autobiography, combined with acclaim for her art, propelled Kahlo to stardom long after her death, spawning films, documentaries and numerous books…”
Read the full review online here: http://www.spiked-online.com/newsite/article/frida-kahlo-art-trumps-identity/21529#.WzSbFe4vzIU
“Some grand claims have been made for the art of Amrita Sher-Gil (1913-1941). Christie’s described her as ‘one of the greatest avant-garde women artists of the early 20th century’, yet few art-history students in Europe and America know her name. The reissue of Amrita Sher-Gil: A Self-Portrait in Letters & Writings, which collects all of the artist’s writings and reproduces her 172 surviving paintings, allows us to judge the acclaim. In the foreword, Salman Rushdie explains how Sher-Gil became an inspiration for his character Aurora Zogoiby in The Moor’s Last Sigh.
“There is scarcely a day without a gallery press release announcing the rediscovery of a female artist who has not just been neglected but ‘excluded from the Western fine-art canon’. The claim that any artist can be excluded from the canon is nonsensical. The Western canon is a list of the most important good art that a person should know in order to understand the Western art tradition. The canon is not a set text, but a composite of opinions and has no central authority and changes over time. Therefore no art or artist can ever be excluded from the Western canon, whatever you may be told. (For an explanation, read my essay here.)
“Amrita Sher-Gil was born in 1913 in Budapest. Her family was middle class. Her father was Amrao Singh Sher-Gil, a Sikh writer and religious ascetic. He was a skilled photographer and his favourite subject was his family. Amrita’s mother was of French and Hungarian Jewish descent. The couple were mismatched in some respects and the conflict between an ascetic detached father and neurotic socialite mother would prove a source of instability in Amrita’s life. The family (including Amrita’s younger sister Indira) spent Amrita’s early years in Hungary before the family moved to Simla, India in 1924.
This two-volume book publishes all of Amrita’s writings, translated from the original French and Hungarian. She spoke English to her family and Indian colleagues, so much of the text is in her own words….”
Read the full review online at Spiked here: http://www.spiked-online.com/newsite/article/amrita-sher-gil-unseen-brilliance/21365#.Wu7uNC7wbIU
“YouTube comedian Mark Meechan has been convicted of grossly offensive behaviour under the Communications Act. Meechan’s crime was filming his girlfriend’s dog raising its paw as he made pro-Nazi comments. Under the YouTube username of ‘Count Dankula’, he posted this joke video on the internet, and it was then viewed over three million times. This week, Airdrie Sheriff Court found Meechan guilty, and he now faces potential imprisonment.
“Talking to the press after the judgement, Meechan said ‘today, context and intent were completely disregarded’. He explained during the trial that he was not a Nazi and that he had posted the video to annoy his girlfriend. Sheriff Derek O’Carroll declared the video ‘anti-Semitic and racist’ in nature. He added that ‘the accused knew that the material was offensive and knew why it was offensive’. The original investigation was launched following zero complaints from the public. Offensiveness apparently depends on the sensitivity of police officers and judges.
“Offensive behaviour is one of the crimes of immorality, such as offence against public morality, action against the state, counter-revolutionary activity and other catch-all terms, that have always been used to suppress dissent (reasonable and unreasonable)…”
Read the full article online on Spiked here: http://www.spiked-online.com/newsite/article/alexander-adams-hate-speech/21240#.WrN2wmrFLIU
“In November, there was a change in the senior management team of Marvel Comics, marking the latest stage in a bitter fight between creators and fans of one of the world’s most famous brands. To those who had been observing the conflict, this new development was easy to see coming.
Marvel’s survival gamble
In their postwar heyday, comics were a limited range of low-cost items widely stocked in general stores and sold to casual readers; nowadays, comics are a broad range of slightly more expensive items stocked in few specialist stores (and online) and sold to dedicated followers, often for the collector market. Despite shrinkage, the comics market in North America is worth annually about $500million in individual comic-book sales, excluding online and book sales. Although sales in 2011 were healthy, executives in comic-book production were nervous about their readership. The typical superhero-comic purchaser was a 40-year-old white male – a demographically shrinking and ageing profile not being replenished by new young buyers. Economic recession (which started in 2008) hastened the closure of many bricks-and-mortar outlets. Digital versions were cheap to distribute but did not satisfy the strong collecting-reselling-trading culture of comic-book fandom.
Anticipating a consumer crisis – and undermined by poor business decisions (including sale of film rights to leading characters, such as the X-Men) – Marvel looked for solutions…”
Read the full article online on Spiked, 29 December 2017 here: http://www.spiked-online.com/newsite/article/comic-fans-take-on-identity-politics/20675#.WkZ9kVVl_IU
“On the eve of the opening of a new exhibition of art by Jean-Michel Basquiat in London, Banksy revealed two painted homages to his American predecessor. The contrast between the most famous exponents of two different generations of street art from opposite sides of the Atlantic could not be greater.
“Jean-Michel Basquiat (1960-1988) is widely considered the founder of the street art movement, which is the crossover of, on one side, graffiti art, mural painting and inscribed poetry and, on the other, the fine arts of museums and galleries. In theory, street art could be simply graffiti or posters from non-gallery settings relocated into museums and galleries, but in practice this is rarely the case. More often, creators who began by making graffiti start working on more portable supports (like the traditional artist’s canvas or board) when there is a commercial imperative. They also make prints or multiples with professional assistants.
“‘Basquiat: Boom for Real’ (Barbican Art Gallery, London; closes 28 January) collects a wide range of Basquiat’s art made over the whole of his short career. Visitors can judge for themselves Basquiat’s stellar status in the art world. (This year a painting by him sold at auction for $110million.) The art was made in a mixture of fine-art materials and ordinary materials from drugstores and discount stores. Paint, oil sticks, spraypaint, pencil and marker were used on canvas and board but also on more unusual supports such as foam rubber, doors, plates, a refrigerator and even a football helmet. Subjects include street life, modern life, racism, sports, music, popular culture, ancient history, the Western canon, anatomy and mortality. All manner of seemingly random fragments of history surface in Basquiat’s paintings. Simple icons, lists of words, graphic symbols, colourful abstract painting and meandering grids occupy a variety of surfaces…”
Read the full review online at Spiked, 2 October 2017, here: http://www.spiked-online.com/newsite/article/basquiat-versus-banksy/20383#.WdJ0X1uPLIU