“When a mob toppled a statue of merchant and slave trader Edward Colston in central Bristol on Sunday, the scenes were reminiscent of the collapse of a tyrannical regime. The mob stamped the fallen statue with rage and delight. Yet the mob was composed of individuals who had experienced no struggle or strife, and live in one of the safest, most prosperous nations in history.
“Most of the crowd were white, middle-class university students who have never done anything to oppose actual slavery. Not one of those warriors against slavery will offer a word of criticism regarding the (internally disputed) Islamic practice of slavery, which persists in some parts of Africa to this day. Toppling a statue is a summer carnival; researching and criticising a world religion is a little less of a rush. For most people today, virtue is not embodied through persistent and difficult private acts. Rather, it is demonstrated through momentary public performance and posted on Instagram.
“Far from fighting the power, the mob was acting in accordance with guidance it has received from schools, universities and mainstream media. Bristol council and the mayor did not decry destruction of public property, but applauded it….“
To read the full article visit Spiked: https://www.spiked-online.com/2020/06/11/towards-britains-year-zero/
“Catherine Hewitt’s Art is a Tyrant is a lively biography of groundbreaking French painter Rosa Bonheur (1822-1899). Bonheur was the daughter of minor aristocrats Raymond, a portrait painter, and Sophie, a piano teacher. In an attempt to improve their circumstances, Raymond and Sophie moved to Paris when Bonheur was seven years old. It was in Paris that Raymond became a convert to Saint-Simonianism, a socio-political movement of religious character, that advocated communal living, sex equality and spirituality to counteract the perceived alienation generated by industrialisation. Raymond’s attachment to proto-socialist ideas made a lasting impact on the young Bonheur.
“Despite Raymond’s doubts about the financial security of an artist’s life, he supported Bonheur’s decision to pursue painting, providing her with some training and encouraging her to copy paintings at the Louvre. Bonheur was always especially attached to animals, so it was little surprise that they became her principal muse….”
Read the full review on Spiked website here: https://www.spiked-online.com/2020/04/13/rosa-bonheur-striking-a-blow-for-women/
“GK Chesterton’s most famous analogy is that of a walker finding an ancient fence in a landscape. Chesterton suggested that while one might not understand the fence’s purpose, one should still respect it, because it had at one time served a function and it might still perform that function. Tearing down the fence out of impatience or impetuosity was reckless, Chesterton suggested, because through simple ignorance one might be destroying a potentially useful construction. Such was the situation in which modern man found himself.
“HG Wells (1866-1946) – the prolific fiction and non-fiction writer, best known for his early science fiction – never encountered a fence that he did not do his best to pull down. Family, marriage, religion, nationhood, custom and class – all were subject to Wells’ ire and mockery. He felt it his duty to remake the world according to science and rationality. The sight of old fences was a provocation to him.
“Many today underestimate the enormous influence of Wells. Not so Sarah Cole, who seeks to retrieve something of Wells’ importance in Inventing Tomorrow: HG Wells and the Twentieth Century. As she points out, Wells’ work has sold millions of copies, and has been translated into multiple languages…”
Read my full review on Spiked website here: https://www.spiked-online.com/2020/02/13/hg-wells-nightmares-of-a-better-world/
“In his fiction, Michel Houellebcq has chronicled the deracinated state of modern France, as he sees it. Made selfish by the generation of ’68, detached from morality by easy access to pornography, alienated from its history, numbed by mood medication, destabilised by mass migration and rendered powerless by the rise of transnational authorities, France (and Europe generally) is slipping into social, cultural and moral disintegration. It is, as he sees it, inevitable, imminent and irreversible. Houellebecq is the ultimate ‘blackpilled’ author. He offers readers no intimation of the rescue or survival of Western civilisation.
“In his new novel, Serotonin, we encounter another snapshot of France’s plummet into oblivion. Not that there aren’t pleasures and diversions to be had as the tragedy of Europe is cast as a grotesque comedy. As usual, Houellebecq’s protagonist is his alter ego, in this instance a character called Florent-Claude Labrouste.
“Labrouste is aged 46, a heavy drinker and smoker, cynical, sour, tired and anti-social. His ‘flabby and painful decline’ is analogous to the collapse of his society….”
Read the full review online on Spiked here: https://www.spiked-online.com/2019/11/11/the-exhilarating-nihilism-of-michel-houellebecq/
“In Unsolved! The History and Mystery of the World’s Greatest Ciphers, Craig P Bauer examines a great array of ciphers, taking us from Egyptian sarcophagi to unexplained internet puzzles, via landmark mysteries such as the Zodiac Killer and Somerton Man.
“Ciphers have existed for as long as writing itself. As soon as man began writing, he needed a means to keep his messages secret. Bauer describes examples from Ancient Egypt, Greece, Rome and Viking Scandinavia. There are cases which will be beyond the ability of virtually all readers even to attempt. And there are instances where ciphers turn out not to be ciphers. On Greek vases, for instance, there seemed to be nonsense inscriptions beside legible words. Greek scholars thought that maybe an illiterate artist was writing nonsense or filling in space, yet when an expert in ancient languages was given these transcriptions, he discovered the Greek nonsense was actually a transliteration of local languages such as Scythian, Circassian and Abkhazian…”
To read my complete review on Spiked, visit here: https://www.spiked-online.com/2019/10/16/unsolved-tackling-the-worlds-greatest-ciphers/
“In the wake of recent attempts – some successful – to have Confederate statues removed from the US south, what is the future of colonialist statues in the US west? In Pioneer Mother Monuments: Constructing Cultural Memory, Cynthia Culver Prescott, a professor of history at the University of North Dakota, senses a reluctance to apply to pioneer monuments the ideological zeal that was turned on Confederate memorials. ‘We resist applying the insights of settler colonial studies to American pioneer narratives because to do so would call into question foundational myths of Jeffersonian agrarianism and American exceptionalism, and lay bare white conquest of native lands and peoples.’ She outlines the cases against statues of colonialists, and particularly against female settlers, who took part in the drive to colonise the American west in the 19th century.
“Statues depicting women have been criticised by academics and campaigners for being idealising, inaccurate, generalising and stereotypical. There is a sense that campaigners direct such ire at statues of women settlers not just because they embody sexism and colonialism but because they show women as complicit in the act of dispossessing native peoples. There is a residual resentment that – in intersectional terms – a political minority took part in a project to oppress another minority….”
Read my article on Spiked here: https://www.spiked-online.com/2019/07/29/the-war-on-americas-past-continues/
“In 1889, doctor and writer Anton Chekhov (1860-1904) baffled acquaintances by announcing he was going to travel across the Russian Empire to visit a forlorn settlement on the fringes of civilisation. Chekhov was talking about Sakhalin, the largest of Russia’s islands on its north-east coast, situated between the Kamchatka Peninsula in the north and the Japanese archipelago in the south. It was a place infamous for its isolation, poverty and backwardness.
“At this time, the Russian government was shoring up its claim to Pacific territories by actively engaging in the process of colonisation. The idea was to convert exiles, prisoners and ex-prisoners into a stable Russian population, resident in a region that had formerly been inhabited only by nomadic indigenous tribes (Ainu, Orok, Gilyak and Nivkh), who had little comprehension of the distant St Petersburg monarchy. Russia would use its unwilling colonists, overseen by soldiers and administrators, to form an undeniable demographic basis to her claim over Sakhalin Island….”
Read the full review online on Spiked here: https://www.spiked-online.com/2019/02/07/anton-chekhov-penal-colony-sakhalin-island/