“Can you name the artist whose work has been reproduced more often than that of all other artists in history combined? The chances are that the artist’s name, Gilbert Stuart, won’t leave you any the wiser, yet it is Stuart’s portrait of President George Washington that adorns every US one-dollar bill. Stuart (1755-1828) was the most renowned portraitist in early American history. He painted the first six presidents and his work was admired and sought after by high society.
Yet despite this acclaim, there were contemporary comments about the uneven quality of Stuart’s work. While some portraits are vivid and lifelike, combining observed reality and flattering idealisation, others seemed awkward and cold. People observed how inconsistent Stuart’s style could be, even within single pictures, which led to suspicions that a pupil or one of Stuart’s children was responsible for poorly painted areas that conflicted with Stuart’s known competence. Bitter disputes arose between art historians over attribution of paintings ascribed to Stuart, and works once deemed authentic were relegated to museum basements as fakes…”
Read the full review on SPIKED, 28 March 2014 here:
“When Albert Camus died in a car accident in 1960, the Nobel Laureate was mourned not only as a creative artist but also as a moral philosopher. Camus championed moderation, dialogue and the inalienable dignity of the individual at a time when – in France – partisan loyalty to nation and party often led people to advocate and defend acts of barbarity. Camus refrained from becoming too publicly involved in the debate over Algeria, first in the grip of civil unrest then wracked by civil war, but instead worked to influence events behind the scenes. Acutely sensitive to the suffering of fellow Algerians, he knew his pleas for clemency from the French government and moderation from FLN insurgents would draw condemnation from both ends of the political spectrum.
Even Sartre, Camus’s ally-turned-opponent, admitted he was ‘an admirable conjunction of a person, an action, and a work’.
One of those most deeply touched by Camus’ death was Jacques Monod, a leading microbiologist at the Pasteur Institute…”
Read the full review on SPIKED, 22 November 2013 here: