“Until now, the way of testing whether or not someone had good biographical knowledge of Vincent Van Gogh was to ask them about the famous ear-cutting incident. The answer ‘he cut off his ear’ informed you the speaker had only a hazy comprehension, whereas the knowledgeable person replied ‘in actuality, Van Gogh cut off only part of his ear’. Now new information suggests that Van Gogh did indeed cut off his whole left ear. On the Verge of Insanity: Van Gogh and His Illness, a new exhibition at the Van Gogh Museum, Amsterdam (closes 25 September), accompanied by an excellent catalogue, attempts to get as close as possible to the truth about Van Gogh’s physical and mental illnesses.
“The confusion about the ear incident sprang up during Van Gogh’s lifetime. On the 23 December 1888, Van Gogh was living with Paul Gauguin at the Yellow House in Arles. Gauguin announced his intention to leave Arles after persistent rows with Van Gogh. Deeply anxious and depressed, Van Gogh slashed his ear with a razor. He presented the ear wrapped in newspaper to a prostitute at a local brothel. The next day police discovered Van Gogh unconscious in his house surrounded by blood…”
Read the full review at Spiked, 26 August 2016 online here: http://www.spiked-online.com/newsite/article/the-madness-of-vincent-van-gogh/18680#.V8WS0PldU5k
“When Picasso acolyte Christian Zervos slighted Bonnard as clinging ‘to what is facile and agreeable’, Matisse was incandescent. Matisse considered Bonnard to be one of the century’s great painters. Picasso did not think Bonnard was a painter at all. Despite repeated efforts, the installation of Bonnard as a top-flight artist has foundered on his perceived adherence to domestic subjects, lack of obvious stylistic and thematic development, and Impressionist technique. His work does not fit comfortably into a linear, movement-centred narrative of art history…”
Read the full review at THE ART BOOK REVIEW, 19 January 2010:
“When young Dutchwoman Jo Bonger met picture-dealer Theo Van Gogh, she was intrigued by the stream of yellow envelopes that arrived for him from the south of France. These were from his brother Vincent, an unsuccessful painter intent on creating a school of independent avant-garde painters in Arles. Little did she know how significant these letters would become in her life.
“The bond between the brothers Van Gogh is at the core of the artist’s letters, which are now considered an outstanding part of world literature. Theo provided Vincent with support and advice during the turbulent years Vincent endured during his short (and usually disastrous) stints as an art dealer, bookseller, schoolmaster, preacher and missionary. Later, when Vincent’s relationship with his father deteriorated to a point when his parents could no longer countenance his eccentric and obstinate ways, Theo agreed to take over paying the allowance their father had previously provided…”
Read the full review at SPIKED, 19 December 2014: