“It is a truism that Western culture has a tendency to absorb dissenters and co-opt rebels by transforming their opposition into a marketable commodity. This truism is never more evident than in the exhaustive and expensive cataloguing process for art that was considered to be marginal, worthless provocation when it was made. Few artists were as disruptive and irreverent as Francis Picabia (1879-1953). As an original member of the Dada movement and then a Surrealist, he mocked social mores. Later, in straitened circumstances, he produced a series of kitsch pin-up paintings that seemed to blot his copybook as an avant-gardist, but which have in recent years been taken up by proponents of Post-Modernism and Bad Art….”
Read the full review at THE ART NEWSPAPER, 6 July 2015:
More archived reviews to follow.