NB: This is a notice, not a review. It is derived from the final version on PDF, not a published copy of the book. Hence, I cannot provide a complete review as I am unable to discuss print quality, binding, etc. All information below is accurate to the PDF I have viewed.
Leonor Fini (1907-1996) was an Argentinian-born Italian Surrealist painter. She grew up in Trieste and received no formal training as an artist, teaching herself. She joined the Surrealists in 1933. She was part of the oneiric (or dreamlike) strand of Surrealism, led by Dalí, who became a friend, although it would not be until 1938 that she would produce her first mature Surrealist paintings. These feature women in elegant dresses inhabiting fantastic invented settings, with mythological references. Throughout her career, invented female portraits and self-portraits would be a major part of her oeuvre. Her art would centre on women, sensuality and sexuality. She portrayed male lovers nude and painted scenes of lesbianism in later years. The atmosphere of her scenes is mysterious and often sinister. Her art developed through different phases. In the 1950s, her art became more decorative and abstract, with figures floating in fields of organic patterning. These verge on the psychedelic. In the 1960s and 1970s, Fini’s figures become paler and less modelled. The increasing stylisation, flattened forms, area of strong colour and shallower picture plane indicate the influence of Pop Art. In the 1980s the backgrounds darkened and her art becomes more serene and less playful. She painted until a few months before her death in 18 January 1996.
This catalogue raisonné is in two volumes. The first volume contains essays on various aspects of the life and art of Fini, with illustrations including photographs of the artist, her famous ball costumes and sketches, along with a selection of colour plates of paintings. The second volume contains a catalogue of all Fini’s known paintings, with colour images and information, concluding with a detailed chronology, bibliography, exhibition list and other source data. The texts are informative and thorough, with Overstreet and Webb already proven Fini experts. The bibliography is extensive but not complete. The illustrations (judging from the digital file) are high quality. This publication will be a vital resource for collectors and dealers, though its price will put it out of the reach of many enthusiasts.
Richard Overstreet and Neil Zukerman (eds.), with Peter Webb and Rowland Weinstein, Leonor Fini: Catalogue Raisonné of the Oil Paintings, Scheidegger & Spiess, 2021, hardback, 2 vols. in slipcase, 648pp, 1082 col., 339 mono illus., €350, ISBN 978-3-85881-843-0
(c) 2021 Alexander Adams
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