he life stories of Suzanne Malherbe (1892-1972) and Lucy Schwob (1894-1954) are the stuff of fiction. Jeffrey H. Jackson’s Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis is a new telling of a tale that has received increasing attention in the last two decades.
The Schwob and Malherbe families were friends and their daughters played together. Suzanne was a talented artist and Lucy wrote prolifically from childhood onwards. They collaborated on a book of drawings (Suzanne) and poems (Lucy), published in 1919. The book was published pseudonymously.
Professionally, Schwob adopted the gender-ambiguous name Claude Cahun; Malherbe chose the masculine nom-de-plume Marcel Moore. They would be professionally known by those names, though their everyday and legal names remained unchanged. As this review is biographical rather than artistic, I, like Jackson, will use their given forenames. Jackson is alive to the way the pair have been appropriated as cons of transgenderism. He points out that although they presented themselves in ambiguous ways (Cahun shaving her head), “they always talked about themselves as women” and used female pronouns. Suzanne and Lucy arrived in the early 1920s from Nantes in search of fulfilment; mainly artistic and literary….
Read the full review of Jeffrey H. Jackson, Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis, Algonquin Books, 2020 here: https://thecritic.co.uk/heroes-but-not-trans-heroes-how-two-female-artists-defied-the-nazis/