“I define cultural entryism as individuals entering a creative field with the intention of using art as a social tool. The newcomers (and their supporters, sometimes long-time professionals) are convinced of their correctness and they see the world as divided between good people and bad people. They are driven by moral indignation and they see dedicated fans and casual readers who ask for their cultural area to be left alone as supporting a status quo which perpetuates bigotry and marginalization. The entryists say “Everything is political”, which means nothing is private and every area becomes a political battlefield. Craft, canon, characters and continuity are all sacrificed for political objectives.
“I’ve seen this happening in the fine-art field (I am an artist and art critic), where art collectives have used the venues, funding and status of art to promote social activism. When I saw this situation in US superhero comics, I recognised the similarities….”
Read the full interview between AA and Jamison Ashley in Bleeding Fool website here: https://bleedingfool.com/interviews/on-comicsgate-and-the-ongoing-culture-war/