[Image: Fred Dubery, Anemones, oil on board, 30.5 x 25.5cm. © The Estate of Fred Dubery and Joanne Brogden]
The paintings of Fred Dubery ARCA, Hon. NEAC (1926-2011) are woven into this book which recounts the story of two lives, his and his wife’s, Joanne Brogden (d. 2013). Dubery studied at Croydon School of Art in 1944-8, then at the Royal College (1950-3). Studying under Rodrigo Moynihan he became friends with fellow students Carel Weight and Ruskin Spear. He taught at Walthamstow School of Art from 1958. While at Walthamstow, Dubery taught Peter Greenaway, who contributes his memories of his tutor to this book. Other friends assisted author Ian Collins with their memories. It was at Walthamstow, in 1960, that Dubery met fashion tutor Joanne Brogden. She had previously studied at Harrow School of Art and the RCA. Brogden was admired her skill and meticulous eye for detail. She went on to become a lecturer and later head of the fashion department at the RCA. (Dubery also taught occasionally at the RCA.) Always dressed immaculately, she became a respected teacher and author and well-connected figure in the British fashion world of the 1960s and 1970s. She retired from the RCA in 1989. The couple married in 1965. Dubery later taught at the Royal Academy Schools, becoming Professor of Perspective in 1984. Although he exhibited at RA Summer Exhibitions from 1950 onwards, he was not elected ARA or RA. He was elected a member of NEAC in 1956.
When the couple took a country house in Stowmarket, Suffolk Dubery had ample opportunities to paint congenial subjects both indoors and outdoors. The couple spent Easters in France while they were teaching, spending longer spells there after their retirements. They also visited Italy and Belgium. Much of Dubery’s art celebrated the quiet comforts of domestic life. The paintings seek to capture Dubery’s pleasure and transmit it to others. His most frequent subjects were landscapes of Suffolk and France, garden views, flowers, still-lifes and interiors. Some of the best outdoor paintings are the pictures including frameworks in the form of fences, gates, scaffolding, beach greenhouse frames, aviaries and other regular linear structures. He painted portraits but most of his figures are part of interior pictures rather than sole or dominant motifs. Some of the portraits were commissioned. Nudes appear only rarely. His Seated Model (u.d.) is a fine painting in the tradition of Sickert’s Camden Town series of female nudes. A Sickertian approach is also apparent in Dubery’s views of Venice.
[Image: Fred Dubery, Arsenale, Venice, oil on board, 71.1x 35.6cm. © The Estate of Fred Dubery and Joanne Brogden]
His style ranges between realism – at times close to the photo-derived realism popular in the late 1960s early 1970s – to the looser application of paint used by the Impressionists and Post-Impressionists. Paintings reminiscent of the French Post-Impressionists and the Intimists Bonnard and Vuillard are commonplace in Dubery’s output. In this book no dates are given for paintings. This makes it difficult to discern whatever developments there were in Dubery choice of subjects and technique. There are few direct quotes from Dubery to reflect his views on art (his own and that of others). The book includes some fashion drawings and animal sculptures by Brogden, the latter made after her retirement.
The couple lived a full life, travelling, socialising and viewing and making art until the end. After Dubery’s death, Brogden dedicated herself to the preservation and promotion of his art. The couple’s joint grave is next to that of the DJ John Peel, a fellow resident of Stowmarket.
[Image: Fred Dubery, The Straw Hat, oil on board, 40.6×30.5cm. © The Estate of Fred Dubery and Joanne Brogden]
Most of the book’s illustrated pictures are from the estate of the couple, now owned by the East Anglia Art Fund. The EAAF now sells the art from the estate of the couple to fund scholarships for art and fashion students from East Anglia.
While the book is very good on the life and times of the couple, their milieu and memories of friends, it is light on discussion of Dubery’s art. Perhaps it would be best to consider this book a lavishly illustrated celebration of their lives rather than a painter’s monograph. Let us hope that the EAAF sets aside some funds to publish a traditional artist monograph on Dubery and a biography of Brogden to complement this enjoyable introduction to their lives.
Ian Collins, Two Lives in Colour: Fred Dubery & Joanne Brogden, Unicorn, 2019, hardback, 159pp, fully illus., £25, ISBN 978 1 911604 73 0
Forthcoming exhibitions of art by Fred Dubery: East Gallery, Norwich University of the Arts, Norwich (22 January-16 March 2019); Coningsby Gallery, London (10-19 June 2019); Holt Festival, Holt (20-27 July 2019). Proceeds of sales support EAAF’s student scholarship programme.
© Alexander Adams 2019
View my art and books at www.alexanderadams.art