“With the opening of a new building adjoining the Tate Modern Bankside site, and the appointment of a new director, Dr Maria Balshaw, things seem buoyant at the Tate. Yet below the surface the organisation is headed towards crisis.
“Although you wouldn’t know it from the fawning accolades of newspaper profilers, Balshaw’s appointment alarms art historians. Balshaw, the new director of Britain’s largest fine-art museum, with four venues and £1.3 billion in assets, is not an art historian but a student of literature who attained a doctorate in critical theory, specialising in American authors. Critical theory is an academic branch of postmodernism that, preferring to concentrate on art’s ideological and social role, sees no qualitative difference between high and low (or popular) art forms. This might be a problematic grounding for the director of Britain’s largest collection of high art. Hitherto in her roles as head of the Whitworth and Manchester art galleries, she has demonstrated no detailed understanding of fine art or any willingness to defy fashion, exhibiting and collecting art on an agenda underpinned by identity politics and feminism.
“Indeed, Balshaw is a proactive and politically driven individual who will not be taking a backseat position. She has previously made statements that women and minority artists should be given a more prominent position in the arts world. As explained previously on spiked, the relatively low number of female artists in the Tate collection is due to historical restrictions on women artists that no longer exist. However, for feminists, that statistical imbalance justifies the promotion of women artists regardless of the quality of their art.
“If the Tate was a stable or manageable organisation, then a figurehead leader would be a viable proposition. Unfortunately, the Tate has huge and ever-increasing problems…”
Read the full article on on Spiked (25 September 2017) online here: http://www.spiked-online.com/newsite/article/trouble-at-the-tate/20339#.Wcjg-LKGPIU
This is an extract of a long essay titled “New Order”, available in The Jackdaw, issue 135, available via: http://www.thejackdaw.co.uk