“On 30 April, one of the world’s greatest sportsmen died near Mount Everest. Ueli Steck, 40, was a Swiss mountaineer who astonished even fellow climbers with feats of agility, skill and speed. After numerous brushes with death over the years, he fell 1,000 metres to his death on a peak neighbouring Everest.
“Steck pioneered a new form of climbing: speed-climbing mountains of technical difficulty, often at high altitudes. One of his great achievements was climbing the north face of the Eiger (which usually takes experienced mountaineers two days) in only two hours and 47 minutes. The video footage of the climb is equally exhilarating and alarming.
“He managed such feats by climbing solo with little equipment and being very prepared and conditioned. He would often free-climb without ropes, meaning that a slip could result in death. Steck was as agile as a ballet dancer, as tough as a long-distance cyclist, and braver than a boxer. He was the world’s most famous and daring mountaineer active in recent years….”
Read the full article on on Spiked, 12 May 2017, here:
“America between the wars (and specifically between the Crash of 1929 and the 1941 Pearl Harbor attack) was at a crossroads. The economic boom and expansion of American power following victory in the First World War had led to prosperity and optimism for many in the 1920s. The Crash of 1929 led to the Great Depression and – in a way – a Great Retreat. America First, isolationism and a backlash against globalism and Modernism caused Americans to view modern and foreign influences with mistrust. A new exhibition, America After the Fall: Painting in the 1930s, at the Royal Academy, explores American art at this crossroads.
“It includes pictures by some of the big names of American realist painting and includes an American icon: Grant Wood’s American Gothic (1930). Although it is seen as typical of American homespun simplicity and Puritan honesty, the male figure is Wood’s dentist dressed as a farmer. The picture is subtle, well-painted and tinged by irony; it deserves its iconic status not only because of its popular appeal but also because of its artistry.
“Wood was part of the Regionalist movement, a group of artists who sought to depict American life and landscapes in a realist manner, often with sentimental or nostalgic overtones…”
Read the full review online at Spiked, 5 May 2017, here: http://www.spiked-online.com/newsite/article/america-after-the-fall/19775#.WQxuoWkrLIU