“On 14 February 2015 an Islamist gunman attacked a café in Copenhagen where a debate on free speech was being held. Speaking at the meeting was Swedish artist Lars Vilks, who received death threats after he drew cartoons in 2007 of the Prophet Muhammad that were considered insulting by some Muslims (and some non-Muslims). Vilks was unhurt, but a documentary filmmaker, Finn Nørgaard, was killed. A month earlier, Islamists murdered cartoonists at Charlie Hebdo in Paris. On one level, the Danish attack was prosaically ineffective. On another level, it marks a new standard, where anyone associating with ‘insulters of the prophet’ can expect to be a target for extremists.
“This essay will not discuss the cartoons of Vilks and Charlie Hebdo. Instead it will evaluate what recent assaults on controversial art and satirical journalism – and the assaults yet to come – mean for the arts in the West. It is also worth considering how Islamists – some of them born and raised in wholly (or largely) secular European countries – have not rejected Western values, but have absorbed aspects of Western secular culture. This essay cannot be a full account. Though arguments and positions here are simplified, they are not – hopefully – misrepresented…”
Read the short form of the essay on SPIKED, 14 August 2015 here: http://www.spiked-online.com/newsite/article/islamism-and-identity-politics-a-destructive-mix/17290#.Vd-U2fldU5k
Read the long form of the essay on THE JACKDAW, originally published in May 2015: http://www.thejackdaw.co.uk/?p=1632