“In May 1916, two disillusioned German artists vented their spleen by composing a nonsense collage consisting of newspaper and magazine illustrations. Those two artists were George Grosz and John Heartfield. Their act of rebellion placed them at the creative heart of the dada anti-art movement and gave birth to the satirical photomontage. Although the use of collaged elements had existed in art since the cubists, who used swatches of newspaper, wallpaper and trompe-l’œil fabric in their pictures, the birth of the photomontage turned reassembled photographic elements into comprehensive statements rather than subordinate adornments.
“Dada was born out of a sense of despair and anger at a time when it seemed wartorn Europe had gone mad. Photomontage was soon transformed from a nonsense form into an overt form of social criticism, and was used as a weapon against politicians, field marshals and industrialists. While Grosz later moved on to making drawings and prints, Heartfield stuck to making photomontages and the practice became his sole means of expression. He went on to become one of the most famous and effective political artists of the time. John Heartfield: Laughter is a Devastating Weapon offers a fascinating overview of Heartfield’s work.
“Heartfield was born Helmut Herzfeld in Berlin in 1891…”
Read the full review on SPIKED, 19 June 2015 here: http://www.spiked-online.com/review_of_books/article/a-nazi-baiting-master-of-the-photomontage/17091#.Vd-UDPldU5k